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Dream

by CORAL

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1.
If you ask me, “Honestly, what’s the animal you’d like to be?” I’d answer nearly immediately, “I’d like to be a bird.” “Why a bird?” you’d ask to me. “Because,” I’d say, “I’d like to be Free from the chains of gravity that tie me to the earth.” Oh ~ If I could take in the world from above I think I could love it more, think I could love it more Things always look better from far, far away When small things don’t matter anymore To caress the sky, so tenderly, escaping from reality Into clouds, but the silent peace doesn’t last for long Even the birds must eventually come down again to live and to be Part of the world, to rest and to eat, to die, return to ground Here, in the clouds, I will stay Up here, this blue sky hideaway Oh, here, wouldn’t I like to stay up here…? Oh ~ If I could take in the world from above I think I could love it more Things always look better from far, far away Distanced from self and from war If you ask me, “Honestly, what’s the animal you’d probably be?” I’d answer quite reluctantly, “I wouldn’t be a bird.”
2.
Reverie 04:14
Breathe slow, breathe deep The clear, cold air seeps into my lungs And I’m young again Wake, wake with the sunrise Then skate, skate with those sleepy eyes That saw beyond the haze, dreamed of better days When they were young Take me back to the place Where I learned how to fall and get up again Take me back to those days When I knew how to try again This is my Reverie - finding its way to reality This is my Melody - from a distant memory Here I can see, here I am me, here we are free Scrape, scrape all the snow off from your blades now Leave the show out on that stage now, be brave now Like when we were young This is my Reverie - finding its way to reality This is my Melody - from a distant memory Here I can sing, here I am me, here we are free Spin back, rewind Remember the first time we loved The wings on our feet that taught us to fly Now that I can recall, I was taught what to do when I fall I’ll get up, I’ll stand again - Rise
3.
I’ve been stuck on these waves for forever on this broken boat with no rudder Just the wind in the sails, blowing somewhere on a course set for nowhere When the storms, they threaten to shake me, I’m unafraid - I know they won’t break me This boat was built to float; I’m not afraid of sinking, but I’m not going anywhere Stuck in this rut of passivity, afraid of going somewhere I’m not s’posed to be… So I’ll walk out onto the water (Take my hand) Leave this broken boat behind (Trust my plan) And as I get farther and farther away (Just come to me) The fear, which kept me long confined will disappear (I’m right here) As I set my gaze on you No, I won’t take my eyes off of you There I see you standing before me with your arms outstretched toward me The endless blue extends; it doesn’t seem to end, but I have put my hope and trust in you For I know that I won’t Be able to stand on my own My eyes will remain on you still And you won’t let me drown
4.
The sun has left the daytime sky The world grows quiet, the moon is high People lose themselves to dream, but I Raise a glass and toast the night A hundred sunrises I have seen They greet me so familiarly While others mourn retreating dreams They say to me, “It’s time to sleep.” I’m losing the night (Hours go by, relentless is time) I’m losing the night I’m losing the night (While flames subside, the embers glow bright) I can’t rest these eyes While body tires, the mind will race Impatient heart can’t wait for day Resolutions that hope to stay But leave so quickly when I wake These restless thoughts are scared to dream Deceptive, splendid fantasies When these replace reality I fail to see the sun And the lark sings its lullaby… It will be alright.
5.
I see, I see in my hand A seed, a seed, a seed to plant A dream, a dream lying dormant in the dark I’ve seen, I’ve seen visions of A tree, a tree, a tree alive Sprouting leaves of green, it thrives, but as I open my eyes To the vast land, desert sand, dry, parched ground The heart is stilled by fear and is crushed by doubt They say, “Follow your heart.” I say, “Live by the soul.” Who knows what beats in the dark where feelings change so To the left and to the right, wherever the wind blows Do you follow your heart? Or live by the soul? I know, I know in my mind This seed I’ll sow, that in time Will breathe, will grow, and I will follow The dream, the dream promised To me, to me long ago Although it seems too much, too big, too wild, too far, too gone Yes I see that vast land, desert sand, dry, parched ground The heart is stilled by fear and crushed by doubt No, I can’t command the clouds to rain Order the sun to hide its face Or tell the world around me to change In the scorch of the day

about

From June 19th to June 30th, 100% of digital revenue will be donated to the National Birth Equity Collaborative, whose mission is to create "solutions that optimize Black maternal and infant health through training, policy advocacy, research, and community-centered collaboration." I'll also be trying to match those donations dollar by dollar (up to a collective total of $500).

I just wanted to share a little about why I've chosen to support NBEC at this time. Black women in the United States suffer disproportionately from poor maternal and infant health outcomes; they are dying 3-4 times more from childbirth- and pregnancy-related complications than white women, regardless of their socioeconomic class or education. That's A LOT and begs the question WHY? In her article, "Race Isn’t a Risk Factor in Maternal Health. Racism Is.", Dr. Joia Crear-Perry, the founder of NBEC writes, "Whether the U.S. proponents of Blackness itself as risk use “Black,” “African American,” or “African descent,” their language boils down to one idea: There is something innately wrong with Black people, and that something brings heightened chances of disease and death." When I read that, I realized that in nursing school and in my continuing education courses, I saw it over and over again - the words "African American" under "Non-Modifiable Risk Factors" for various antepartum, intrapartum, and postpartum complications - and started to understand how this language has made it easier for us as healthcare providers, if we are not committed to thinking critically, to overlook and even dismiss the external and modifiable factors such as racism, sexism, and system failures behind such outcomes. My hope is that as people continue to stand up for black lives, we will also be able to improve the health outcomes of black women and infants, especially now that problems in healthcare have been augmented by COVID-19, and that our next generation will see a narrower gap in maternal mortality.

NBEC: birthequity.org

credits

released September 20, 2019

Written and produced by Coral
Co-produced, recorded, mixed & mastered by Masaki at One Way Studio in Benicia, CA
 
Album art by Trisha Chan


Instruments:

Coral - lead & backing vocals, piano and additional instruments

Masaki - acoustic guitar on "I’d Like to Be a Bird" and additional instruments on "Reverie" and "The Lark’s Lullaby"

Theo Ma - viola on all songs and acoustic guitar on "Reverie"

Jeff Campitelli - drums and percussion on songs 1 & 3-5

Matt Bissonette - bass on songs 1 & 3-5

Stef Burns - electric guitar on songs 1, 3 & 5

Tim Lee - electric guitar on songs 3 & 5

Peppino D’Agostino - acoustic guitar on songs 3 & 5


This project would not have been possible without the talents
and generosity of these people and the support and
encouragement of many others, some who have been there from the very beginning and some who have come alongside me at different points in the process. Thank you, thank you, thank you.

Although it's taken so long to finish this project, I've been so overwhelmed by how much I've learned and grown over the past few years in my music journey, and by the blessings I've experienced working on this EP. All glory be to God.

Thank you all for your patience and I hope you enjoy.

Sincerely,
Coral

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CORAL Los Angeles, California

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